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	<title>Jessica-Maria Nassif</title>
	<link>https://jessicamarianassif.com</link>
	<description>Jessica-Maria Nassif</description>
	<pubDate>Sun, 08 Nov 2020 15:25:09 +0000</pubDate>
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		<title>Homepage</title>
				
		<link>https://jessicamarianassif.com/Homepage</link>

		<pubDate>Mon, 13 Apr 2020 15:35:14 +0000</pubDate>

		<dc:creator>Jessica-Maria Nassif</dc:creator>

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	<item>
		<title>Reclaiming Voices</title>
				
		<link>https://jessicamarianassif.com/Reclaiming-Voices</link>

		<pubDate>Thu, 09 Apr 2020 13:08:38 +0000</pubDate>

		<dc:creator>Jessica-Maria Nassif</dc:creator>

		<guid isPermaLink="true">https://jessicamarianassif.com/Reclaiming-Voices</guid>

		<description>Reclaiming&#38;nbsp;Voices
	
	
Reclaiming Voices is a ongoing work consisting of different mixed media work.
Jessica-Maria Nassif researched extensively the Code Talkers story, a group of Navajo Marines who designed a code based on their mother tongue and used it as a cryptologic tool during WWII against U.S enemies. 

Taking this story as a base, Jessica explored in her thesis how the Code Talkers were designers by accident. She also questions the relationship U.S and Navajo and how it affects languages. From this analysis, Jessica questions the use, materiality and propagation of voice&#38;nbsp;in today’s political and economical context revisiting Samuel Becket “Not I”&#38;nbsp;set up during her performance.


For now Reclaiming Voices combines a performative installation and a thesis, however other pieces are currently being produced.

	

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Reclaiming Voices - Performative Installation - 2020 - 10 minutes&#38;nbsp; 
︎ view excerpt &#38;nbsp;
Listen to the performance (Coming Soon) ︎
 &#38;nbsp;



	
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Reclaiming Voices, Colonisation of the Navajo Language during WWII - Master thesis - Under the tutorship of Alexandra Midal - 2020&#38;nbsp;
Photo credits : Raphaëlle Mueller

	The Code Talkers were a group of Navajo Marines who designed a code based on their mother tongue and used it as a cryptologic tool during WWII against U.S enemies. 

Nevertheless, the Navajo community wasn't citizens of the United States at that time and was forced by the U.S to disown their cultural heritage. &#38;nbsp;
	Reclaiming Voices explores how the Navajo language rendered almost extinct by the colonialist policies of the U.S. government later become the treasured weapon on the U.S. military. And analyses why was there such an interest in languages, and in humans beings as code makers and breakers during WWII, while cryptology machines were at their peak. &#38;nbsp;︎ pdf
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		<title>Mix, Match and Start From Scratch</title>
				
		<link>https://jessicamarianassif.com/Mix-Match-and-Start-From-Scratch</link>

		<pubDate>Sun, 08 Nov 2020 15:25:09 +0000</pubDate>

		<dc:creator>Jessica-Maria Nassif</dc:creator>

		<guid isPermaLink="true">https://jessicamarianassif.com/Mix-Match-and-Start-From-Scratch</guid>

		<description>Mix, Match and Start
 From Scratch

	&#60;img width="1600" height="1143" width_o="1600" height_o="1143" data-src="https://freight.cargo.site/t/original/i/9bed11889a18dbda561bd65eacd4e6e04d66503cc5571f85b47224c12e2cc73e/J-MN_2.jpg" data-mid="88107074" border="0"  src="https://freight.cargo.site/w/1000/i/9bed11889a18dbda561bd65eacd4e6e04d66503cc5571f85b47224c12e2cc73e/J-MN_2.jpg" /&#62;Performative Installation - 2019 - 16 minutes &#38;nbsp; &#38;nbsp; 
︎ view trailer &#38;nbsp;︎ full performancePhoto Credit : Baptiste Coulon

	Jessica-Maria Nassif’s performance raises consciousness on audio surveillance. Oblivious in global awereness, audio surveillance is just as much a threat as visual and data surveillance. It might actually be an even&#38;nbsp;bigger threat, because it is invisible.&#38;nbsp;We’re surrounded&#38;nbsp;by microphones in our daily lives: all our conversations,&#38;nbsp;our voices, even the way we speak can be collected,&#38;nbsp;analysed and retained.&#38;nbsp;In her performance, Nassif brings you the year 2020,&#38;nbsp;where she speculates that this phenomenon has&#38;nbsp;already happened: Our phones and all our smart&#38;nbsp;devices have created a new intelligence listening&#38;nbsp;landscape, and every word has consequences.
	It also highlights humans’ dependent relationship with algorithmic governance technology. Nassif’s performance is dismantling the mechanism, tearing off the decor and revealing the machinery to find&#38;nbsp;ways of tricking it. In the space, the unavoidable&#38;nbsp;disembodied intelligence is represented by the&#38;nbsp;phone, always present and recording every audio&#38;nbsp;source, projecting on the screens. Using an app&#38;nbsp;called “speechy”, every word of the performance&#38;nbsp;is converted to text in real time, by working with&#38;nbsp;Apple’s artificial intelligence, Siri. &#38;nbsp;︎ Performance Appendix&#38;nbsp; ︎ Ask for&#38;nbsp;Press Kit

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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	<item>
		<title>Beverly Hills Bermuda Triangle</title>
				
		<link>https://jessicamarianassif.com/Beverly-Hills-Bermuda-Triangle</link>

		<pubDate>Thu, 09 Apr 2020 16:19:23 +0000</pubDate>

		<dc:creator>Jessica-Maria Nassif</dc:creator>

		<guid isPermaLink="true">https://jessicamarianassif.com/Beverly-Hills-Bermuda-Triangle</guid>

		<description>Beverly Hills Bermuda Triangle

	
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Beverly Hills Bermuda Triangle -&#38;nbsp;Experience, Short Movie, Performance - 2018 - 6 min&#38;nbsp;︎ view short movie

	Beverly Hills Bermuda Triangle is a re-creation of a multi sensorial experience. Jessica-Maria Nassif is exploring story telling through the medium of film and performance. She acts as an outside narrator using the smell&#38;nbsp;of burning encense to immerse the public in the&#38;nbsp;paranormal.

About the StoryBeverly Hills Bermuda Triangle is at the crossroads of N.Linden Dr. and N.Whittier Dr. in Beverly Hills, California. It has previously been witnessed to be a paranormal space. Jessica-Maria Nassif chose to use Zoltar*as the portal to Beverly Hills Bermuda Triangle, where she’s recreating a personal memory witnessing the paranormal

About the Performance
Both, the performance and the movie are happening in parallel in the projected space.&#38;nbsp;The experience lasts&#38;nbsp;5 minutes and 16 seconds.The langage used is Lebanese-Arabic, (subtitled&#38;nbsp;in English) and English.&#38;nbsp;A flyer will be given&#38;nbsp;before the performance, with the script in&#38;nbsp;Arabic, English, and a “Zoltar”*prediction.
︎ Ask for&#38;nbsp;Press Kit


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		<title>Info</title>
				
		<link>https://jessicamarianassif.com/Info</link>

		<pubDate>Thu, 09 Apr 2020 13:08:39 +0000</pubDate>

		<dc:creator>Jessica-Maria Nassif</dc:creator>

		<guid isPermaLink="true">https://jessicamarianassif.com/Info</guid>

		<description>BIOGRAPHY

At the crossroad of design, art and technology, the works of Jessica-Maria Nassif questions the notions of communication and language in contemporary scenarios.Jessica-Maria Nassif’s work involves the creation of mystical or humorous stories to create new perspective on reality playing with her different languages, and voices while exploring performance, artificial intelligence, interactive design, sound design, installation and video.Currently, Jessica-Maria Nassif is interested in raising awareness on the invisible contemporary surveillance and explores how language and ways of speaking can betray or save the speaker in different contexts, from war to the daily routine thus being used as tools to escape today’s panopticon.
Jessica-Maria Nassif is also one of the four members of the trojans collective.

EMAIL &#38;nbsp; &#38;nbsp; &#38;nbsp; INSTAGRAM &#38;nbsp; &#38;nbsp; &#38;nbsp; TROJANS COLLECTIVEJUNE 2022 (UPCOMING)
GOT YOU !&#38;nbsp;Tricking Surveillance AI Algorithms
Online Workshop
ZKM &#124; Center for Art and Media Karlsruhe
MARCH 2022
PERFORMING BODIES, A DESIGN ACT
Guest Lecturer with Helena Bosch Vidal 
ENSCI - Paris, France

FEBRUARY 2022
ISCREAM
Residency in collaboration with Isabel Piniella Grillet and&#38;nbsp;Juan José Faccio
&#38;nbsp;Neubad, Lucerne

JANUARY 2022
SSN Art Prize
Honourable Mention&#38;nbsp;
NOVEMBER &#38;nbsp;2021 
CHEW YOUR THESIS
Guest Lecturer on Performative practices with Rita Hajj
Master Space and Communication, HEAD - Geneva

SEPTEMBER 2021&#38;nbsp;
MIX, MATCH AND START FROM SCRATCH
 Interactive Installation
Curated by Boris MagriniWith HEK, at LISTE - Basel, Switzerland

SEPTEMBER &#38;nbsp;2021&#38;nbsp;
BOURSE DE LA VILLE DE GENEVE
AWARD Finalist
 Performative Interactive Installation
Centre d’Art Contemporain - Geneva, Switzerland
JULY &#38;nbsp;2021&#38;nbsp;
BIG BIENNALE with MACACO Press
in collaboration with Mohamed Abdelkarim
 Performance :&#38;nbsp;
Let the Sea Eat Me: To Perform les Frontières
Ile Rousseau - Geneva, Switzerland

FEB 2021
DISCLOSING PLEASURE, A DESIGN APPROACH Guest Lecturer&#38;nbsp;with Helena Bosch Vidal&#38;nbsp;ENSCI - Paris, France
NOV &#38;nbsp;2020&#38;nbsp; MIX MATCH AND START FROM SCRATCH
Nominated for the Swiss Interactive Sessions
Geneva Interactive Film Festival (GIFF) -&#38;nbsp;Geneva, Switzerland

OCT 2020 &#38;nbsp;(canceled due to COVID-19) SWISS PERFORMANCE ART AWARDAWARD 
Finalist

PerformanceLe Grütli - Geneva, Switzerland
SEPT 2020 &#38;nbsp;(canceled due to COVID-19)MIX, MATCH AND START FROM SCRATCHMixed Media InstallationCurated by Boris MagriniWith HEK, at LISTE - Basel, SwitzerlandMAY-JUNE &#38;nbsp;2020&#38;nbsp; WRITER’S IN RESIDENCE (THEIR OWN)
Residency
The Lesser Amman Library
MMAG Foundation -&#38;nbsp;Amman, Jordan

FEB 2020 
RECLAMING VOICES
Performance
HEAD - Geneva, SwitzerlandJAN 2020 
RECLAMING VOICES&#38;nbsp;
Master ThesisTutor Alexandra Midal HEAD - Geneva, SwitzerlandDEC 2019&#38;nbsp; 
MIX, MATCH AND START FROM SCRATCH 
Performative Installation
Crafting Sonic Urbanism : The Political Voice with Theatrum MundiEHESS Paris, France
SEPT 2019
MAKING FUTURES&#38;nbsp;
Residency
HAUD DER STATISTIK, Berlin
SEPT 2019
MIX, MATCH AND START FROM SCRATCH 
Performative Installation

Curated by Sara DominguezChâteau de Vuillerens&#38;nbsp; 
Vuillerens, SwitzerlandJULY 2019
BEVERLY HILLS BERMUDATRIANGLE
Nominated for the Avanaca Film FestivalShort Movie
Avanca, PortugalJUNE 2019TROJANS COLLECTIVECo-founder with Helena Bosch Vidal, Jeanne Pasquet and Netillo Rojaswww.trojanscollective.comMAY 2019
MIX, MATCH AND STARTFROM SCRATCH 
Performative Installation
Tutor Marteen Gielen HEAD - Geneva, SwitzerlandSEPT 2018
BEVERLY HILLS BERMUDATRIANGLE 
Short Movie 
Projected at the 4th Design Biennial of Istanbul “ A school ofschools”,Invisible film programSalt Galata - Istanbul, Turkey


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